{"version":"1.0","provider_name":"ALL OF GREECE ON CULTURE","provider_url":"https:\/\/allofgreeceone.culture.gov.gr\/en\/","author_name":"v.magoula","author_url":"https:\/\/allofgreeceone.culture.gov.gr\/en\/author\/v-magoula\/","title":"The Palm Tree, or The Hand That Dreams | ALL OF GREECE ON CULTURE","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"85U5YYDY3N\"><a href=\"https:\/\/allofgreeceone.culture.gov.gr\/en\/event\/palm-tree-or-the-hand-that-dreams\/\">The Palm Tree, or The Hand That Dreams<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/allofgreeceone.culture.gov.gr\/en\/event\/palm-tree-or-the-hand-that-dreams\/embed\/#?secret=85U5YYDY3N\" width=\"600\" height=\"338\" title=\"&#8220;The Palm Tree, or The Hand That Dreams&#8221; &#8212; ALL OF GREECE ON CULTURE\" data-secret=\"85U5YYDY3N\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/allofgreeceone.culture.gov.gr\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/allofgreeceone.culture.gov.gr\/wp-content\/uploads\/2026\/06\/foinikia-i-to-cheri-pou-oneirevetai-2-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1920,"description":"At the threshold between day and night, an empty archaeological site is transformed into a space of existential ritual. Two women, unseen cleaning staff, enter the site to begin their shift. As they sweep away the dust, their mechanical labor gradually transforms\u2014echoing Gaston Bachelard\u2019s notion that \u201cthe hand that cares begins to dream\u201d\u2014into an act [&hellip;]"}