Region: South Aegean

+THLIPSIS

The exhibition +THLIPSIS explores the concept of inner conflict, as it is manifested in a wide array of contrasts, such as the “principle of pleasure” versus the “principle of reality”, theory versus action, faith versus the instinct governing the human body, the causality of the natural environment versus the inclination to discover and be curious,  discipline versus negation, as well as the natural versus the metaphysical.

Eight artists interact with the conceptually, emotionally, religiously, and socially charged site of the Convent of Ursulines. It is a complex developed in the 19th century, a pioneering project for Greek standards, which served as a social, intellectual, and educational centre in Tinos for decades. Its desolation sparks the challenge to restore it both locally and nationally, not only to reveal its local history, but also to highlight its visceral connection to the major cultural hubs of the time and, by extension, to the European cultural scene. 

Nephelococcygiae and Chirping

The musical performance Nephelococcygiae and Chirping by Michalis and Pantelis Kalogerakis and Tonia Tzirita Zacharatou explores the relationship between humans and birds. In this stage production, poetic language that has been set to music intertwines with fragments of scientific facts, ornithological findings, and stories about birds.
Original musical compositions inspired by poems penned by Miltos Sachtouris, Napoleon Lapathiotis, Jacques Prévert and others, are presented live by a group of musicians and two performers, as they struggle to investigate the possibility of coexistence between humans and birds in a present that is marked by continuous conflicts. What does survive today from the utopian city of Aristophanes’ Nephelococcygia? What stories are hidden behind seabirds flying to the land in search of food, migratory birds colliding with airplanes, or pigeons in city centers? What songs lie within their flying lives?